Sunday, February 28, 2010

'Lost' bosses make plea to cast


Producers of hit TV show Lost urged cast and crew working on the series in Hawaii to take to higher ground following warnings of a potential tsunami - offering workers shelter at the TV studio.

Officials on the island chain have been on high alert since a devastating earthquake shook Chile on Friday.

The tremor is feared to have set off a chain of high waves which could sweep across the Pacific Ocean and hit areas as far away as Hawaii, California and even Australia.

Lost executive producer Carlton Cuse took to his Twitter.com page after the news broke to make sure the cast and crew were protected.

He wrote, "To ALL on the Lost crew - responding to the Tsunami warning - safe refuge is available at the studio. Waves to reach Hawaii just after 11am."

He later issued a statement to E! Online, revealing all the Lost workers are safe.

Cuse says, "All our cast and crew is accounted for and safely away from coastal area. Jorge Garcia continues to thrash me in Scrabble via iPhone from Ken Leung's house. Our entire team in Hawaii appreciates all the positive energy being sent their way."

Daniel Dae Kim, who plays Jin in the hit show, cancelled a business trip to Los Angeles after the tsunami warnings and has now spoken out to assure fans of his safety: "My family and I are doing fine. We've moved to high ground and are staying with friends who generously opened their home to us. All that's left to do is wait. Heartfelt thanks to everyone who sends their thoughts and good wishes."

SOURCE

Saturday, February 27, 2010

Matt Smith in Esquire magazine


Preview of Matt Smith in the upcoming April issue of Esquire magazine.

Avatar and Inglourious Basterds battles it out at Empire awards


Boasting of 5 nominations each, James Cameron’s 3D bonanza, Avatar and Quentin Tarantino’s Second World War drama, Inglourious Basterds will be battling it at out for the Best Film Prize at the 2010 Jameson Empire awards.


The two box-office hits are up against Star Trek, District 9 and Bafta winner The Hurt Locker for the Best Film Prize. Zoe Saldana from the sci-fi thriller Avator and Melanie Laurent from Inglourious Basterds have been nominated for the Best Actress category while Christoph Waltz’s portrayal of Nazi officer Colonel Hans Landa in Inglourious Basterds won him a nomination in the Best Actor category. Jason Reitman’s comedy drama, Up In the Air and Lone Scherfig’s coming-of-age drama, An Education each have a trio of nominations while Kathyrn Bigelow’s American war thriller, The Hurt Locker and Neill Blomkamp’s science fiction thriller on aliens, District 9 each have been nominated for 4 categories.


Good news for all the Twihards! The sexy Robert Pattinson has won a nomination for the Best Actor Award for portraying the brooding vampire Edward Cullen in New Moon while Anna Kendrick has been nominated for her work in both New Moon and Up InThe Air in the category Best Newcomer.


The full list of nominees for the 2010 Jameson Empire Awards, which take place on Sunday, March 28 are as follows:


Best Film presented by Sony

Avatar

Star Trek

District 9

Inglourious Basterds

The Hurt Locker


Best Actor presented by Citroën

Sir Michael Caine (Harry Brown)

Christoph Waltz (Inglourious Basterds)

Robert Pattinson (New Moon)

Sam Worthington (Avatar)

Robert Downey Jr. (Sherlock Holmes)


Best Actress

Anne-Marie Duff (Nowhere Boy)

Carey Mulligan (An Education)

Zoe Saldana (Avatar)

Emily Blunt (The Young Victoria)

Melanie Laurent (Inglourious Basterds)

Best Director

James Cameron (Avatar)

Neil Blomkamp (District 9)

JJ Abrams (Star Trek)

Quentin Tarantino (Inglourious Basterds)

Kathryn Bigelow (The Hurt Locker)


Best British Film

Harry Brown

The Imaginarium Of Doctor Parnassus

An Education

Nowhere Boy

In The Loop

Best Comedy

In The Loop

A Serious Man

The Hangover

Up In The Air

The Men Who Stare At Goats

Best Horror

Let The Right One In

Paranormal Activity

Zombieland

Thirst

Drag Me To Hell

Best Sci-Fi/Fantasy

Star Trek

Moon

Avatar

District 9

The Imaginarium Of Doctor Parnassus

Best Thriller

Harry Brown

Public Enemies

Inglourious Basterds

The Hurt Locker

Sherlock Holmes


Best Newcomer

Carey Mulligan (An Education)

Aaron Johnson (Nowhere Boy)

Sharlto Copley (District 9)

Anna Kendrick (Up In The Air/New Moon)

Katie Jarvis (Fish Tank)

SOURCE

James Franco's Short-Film Wins Award


So the poem inspired film, "The Feast of Stephen," James Franco directed won a Teddy Award for Best Short Film at last week’s Berlin Film Festival. A Teddy Award is an international film award for films with LGBT topics.


The poem below inspired Franco to create the film adapation.


The Feast of Stephen
Anthony Hecht

I

The coltish horseplay of the locker room,
Moist with the steam of the tiled shower stalls,
With shameless blends of civet, musk and sweat,
Loud with the cap-gun snapping of wet towels
Under the steel-ribbed cages of bare bulbs,
In some such setting of thick basement pipes
And janitorial realities
Boys for the first time frankly eye each other,
Inspect each others' bodies at close range,
And what they see is not so much another
As a strange, possible version of themselves,
And all the sparring dance, adrenal life,
Tense, jubilant nimbleness, is but a vague,
Busy, unfocused ballet of self-love.

II

If the heart has its reasons, perhaps the body
Has its own lumbering sort of carnal spirit,
Felt in the tingling bruises of collision,
And known to captains as esprit de corps.
What is this brisk fraternity of timing,
Pivot and lobbing arc, or indirection,
Mens sana in men's sauna, in the flush
Of health and toilets, private and corporal glee,
These fleet caroms, pli‰s and genuflections
Before the salmon-leap, the leaping fountain
All sheathed in glistening light, flexed and alert?
From the vast echo-chamber of the gym,
Among the scumbled shouts and shrill of whistles,
The bounced basketball sound of a leather whip.

III

Think of those barren places where men gather
To act in the terrible name of rectitude,
Of acned shame, punk's pride, muscle or turf,
The bully's thin superiority.
Think of the Sturm-Abteilungs Kommandant
Who loves Beethoven and collects Degas,
Or the blond boys in jeans whose narrowed eyes
Are focussed by some hard and smothered lust,
Who lounge in a studied mimicry of ease,
Flick their live butts into the standing weeds,
And comb their hair in the mirror of cracked windows
Of an abandoned warehouse where they keep
In darkened readiness for their occasion
The rope, the chains, handcuffs and gasoline.

IV

Out in the rippled heat of a neighbor's field,
In the kilowatts of noon, they've got one cornered.
The bugs are jumping, and the burly youths
Strip to the waist for the hot work ahead.
They go to arm themselves at the dry-stone wall,
Having flung down their wet and salty garments
At the feet of a young man whose name is Saul.
He watches sharply these superbly tanned
Figures with a swimmer's chest and shoulders,
A miler's thighs, with their self-conscious grace,
And in between their sleek, converging bodies,
Brilliantly oiled and burnished by the sun,
He catches a brief glimpse of bloodied hair
And hears an unintelligible prayer.

Friday, February 26, 2010

Neil Patrick Harris to Direct 'Rent' This August



Neil Patrick Harris will bring seasons of love to Los Angeles this August as he directs the premiere of Rent at the Hollywood Bowl!

The 36-year-old actor will direct his first musical when Rent is staged as part of the Hollywood Bowl’s Weekend Spectacular and Sunday Sunset performances. The show will run from August 6-8 only, according to THR.

Neil is no stranger to Rent - he starred in the Los Angeles production back in 1997 and was awarded a Drama League Award for his performance!

SOURCE

A Precious Night at the NAACP Image Awards



Considering where all the accolades have been going recently, it wasn't much of a stretch to predict big things for Precious: Based on the Novel 'Push' by Sapphire at the 41st Annual NAACP Image Awards.

Not only did Mo'Nique pick up her zillionth Outstanding Supporting Actress honor, most likely en route to ruling on Oscar night, but Precious won a leading six awards Friday, including Outstanding Motion Picture, Director for Lee Daniels and Writing for Geoffrey Fletcher.

Gabourey Sidibe, more of a long-shot to take home an Oscar than either Mo'Nique or Sandra Bullock, who was sitting a few seats away, was named Outstanding Actress.

"Hello!" began the 26-year-old newcomer, who always manages to pleasantly surprise with her bright and bubbly disposition, such a contrast to the downcast, depressed teen she played on the silver screen.

"It is an honor to be nominated, but it is so awesome to win. I love winning!" Sidibe exclaimed, going on to thank God, "for ordering my steps," and her "teachers"—Mo'Nique, Paula Patton, Sherri Shepherd and Mariah Carey.

Morgan Freeman was named Outstanding Actor in a Motion Picture for channeling Nelson Mandela in Invictus.

"It's hard to believe—not hard to take," the sonorous screen veteran said of his win. "There's a lot of people to thank. I'm not going to go through all of them because you don't know most of 'em," he quipped, though he did single out Clint Eastwood and his longtime production partner.

On the television side of things, Tyler Perry's House of Payne continued its dominance, winning Outstanding Comedy Series for the third straight year.

It's namesake was also honored with the NAACP's annual Chairman's Award, while Wyclef Jean was the recipient of the Vanguard Award.

CSI: NY star Hill Harper, who cohosted the ceremony with Anika Noni Rose, also netted his third straight win for Actor in a Drama Series.

Best Actress winner Jada Pinkett-Smith, who plays a tough-as-nails nurse in Hawthorne, was not on hand to collect her trophy, one of only a few handed out during the two-hour portion of the evening captured for prime-time TV.

Harper took a stroll into the audience during the show to point out some of the luminaries in attendance: Freeman, who he insisted should be addresed as "Sir Morgan Freeman"; Mo'Nique and Sidibe ("You should have been on that Vanity Fair Hottest Young Female Actress cover," he told her); and Bullock, who Harper pretended to confuse with another couple of prominent brunettes.

"You are so beautiful!" he said. "I fell in love with you in Pretty Woman! And in Ghost, when you made that clay pot? Incredible!"



Chris Rock was also in the house, where his latest directorial outing, Good Hair, was named Outstanding Documentary.

"Hey! I was not expecting to get anything tonight," he began. "Wow, you make a lot of movies for money, make movies to get hot and make more money...and you do other movies to get even more money.

"I made this movie just for black people," Rock asserted, prompting some rather enthusiastic applause from the crowd.



On the musical end of things, Maxwell and Mary J. Blige, whose Stronger With Each Tear was named top album, were named Outstanding Male and Female Artist. Keri Hilson collected her first Image Award for Outstanding New Artist.

The NAACP Image Awards honor achievements by people of color in film, television music and literature.

Here is a partial list of winners from the 41st Annual NAACP Image Awards:

FILM

Motion Picture: Precious: Based on the Novel 'Push' by Sapphire
Actor in a Motion Picture: Morgan Freeman, Invictus
Actress in a Motion Picture: Gabourey Sidibe, Precious
Supporting Actor in a Motion Picture: Adam Rodriguez, Tyler Perry's I Can Do Bad All By Myself
Supporting Actress in a Motion Picture: Mo'Nique, Precious
Independent Motion Picture: Precious
Foreign Motion Picture: The Stoning of Soraya M.
Documentary: Good Hair

TELEVISION

Comedy Series: Tyler Perry's House of Payne
Actor in a Comedy Series: Daryl "Chill" Mitchell, Brothers
Actress in a Comedy Series: Cassi Davis, Tyler Perry's House of Payne
Drama Series: Lincoln Heights
Actor in a Drama Series: Hill Harper, CSI: NY
Actress in a Drama Series: Jada Pinkett Smith, Hawthorne
Television Movie, Mini-Series or Dramatic Special: Gifted Hands

MUSIC

Male Artist: Maxwell
Female Artist: Mary J. Blige
New Artist: Keri Hilson
Duo, Group or Collaboration: Black Eyed PEas
Song: "God in Me," Mary Mary
Album: Stronger With Each Tear, Mary J. Blige

SOURCE



Ashton Kutcher & Jamie Foxx Teaming Up Again



What with COP OUT coming out this weekend (to abysmal reviews it seems), it's only appropriate to report on a new buddy cop action-comedy: STREETS ON FIRE

Starring the unlikely duo of Jamie Foxx and Ashton Kutcher (reuniting again after being seen in VALENTINE'S DAY), STREETS ON FIRE is actually based off one of 2009's Black List scripts from writer Justin Britt-Gibson, a 27-year-old freelance journalist and screenwriter who, according to Pajiba, once wrote a really interesting piece on race relations for the Washington Post.

Despite those positives, the story sounds about as formulaic as they get. Per Pajiba: "It's about a straight arrow Chicago cop with anger issues (Foxx) who teams up with a brash and cocky one (Kutcher), and the two 'become anything other than friends.' They stumble into a gang of killers intercepting the city's drugs, and reluctantly agree to work together on the case... [The original story over at Pajiba continues with something that I'd say is a spoiler, so I'm taking it out. Head over there to read it if that doesn't bother you.]"

SOURCE

Modern Family Sneak Peek! 3-3

Inappropriate Email Could Hurt Biggest 'Avatar' Oscar Competitor



"The Hurt Locker," when compared historically to previous Oscar-winning films, has done everything up to this point it needs to do to take home the top prize at the 82nd Annual Academy Awards on March 7. It's won all the right pre-Oscar awards, it's gotten the critics on its side, it covers a controversial war. All it needed to do was sit back and wait. Instead, it got antsy. To make a football analogy: It might have been time to play conservative, start running the ball, and try to run out the clock. Instead, "The Hurt Locker"'s co-producer, Nicolas Chartier, threw up a Hail-Mary pass -- and it was promptly intercepted.


In a inappropriate email sent out to academy members, obtained by the LA Times' Gold Derby blog, Chartier came awfully close to what may be described as begging the voting members to support his film over its Best Picture competition. (The Academy explicitly bans directly campaigning to voters.) Though he doesn't come right out and say "vote for my film instead of 'Avatar,' by asking Academy members to ask "friends who vote for the Oscars" to support "The Hurt Locker" over "a $500M" film -- it's a safe bet Chartier wasn't referring to "An Education."




Chartier's email to Academy members reads as follows:


I hope all is well with you. I just wanted to write you and say I hope you liked Hurt Locker and if you did and want us to win, please tell (name deleted) and your friends who vote for the Oscars, tell actors, directors, crew members, art directors, special effects people, if everyone tells one or two of their friends, we will win and not a $500M film, we need independent movies to win like the movies you and I do, so if you believe The Hurt Locker is the best movie of 2010, help us!


I'm sure you know plenty of people you've worked with who are academy members whether a publicist, a writer, a sound engineer, please take 5 minutes and contact them. Please call one or two persons, everything will help!


best regards,


Nicolas Chartier Voltage Pictures


Considering this gaffe, perhaps it's ironic his "Hurt Locker' colleagues had successfully petitioned to allow him to be a fourth accepting producer on the Kodak Theater stage if the movie should win the Best Picture award. (This is an exception to the longstanding "three producer rule," that only allows for three filmmakers to say their "thank yous" on the Academy Awards broadcast.). It didn't take long for Chartier to issue a follow-up apology email:


Last week I emailed you regarding the Oscars next week, generally, and "The Hurt Locker," in particular. My email to you was out of line and not in the spirit of the celebration of cinema that this acknowledgement is. I was even more wrong, both personally and professionally, to ask for your help in encouraging others to vote for the film and to comment on another movie. As passionate as I am about the film we made, this was an extremely inappropriate email to send, and something that the Academy strongly disapproves of in the rules.


My naivete, ignorance of the rules and plain stupidity as a first time nominee is not an excuse for this behavior and I strongly regret it. Being nominated for an Academy Award is the ultimate honor and I should have taken the time to read the rules.


I am emailing each person this very same statement asking to retract my previous email and requesting that you please disregard it.


I truly apologize to anyone I have offended.


Sincerely yours,

best regards, Nicolas Chartier
Voltage Pictures, LLC


The studio that released "The Hurt Locker," Summit Entertainment, responded as well to the controversy in a statement saying, "An enthusiastic and naive young producer made a mistake. When we found out, we asked him to stop immediately and let the Academy know and he is making amends."


Other than some Academy instituted penalties -- such as losing tickets to the ceremony on March 7 -- the real question regarding possible repercussion for "The Hurt Locker" is if this display will cost it votes based on negative publicity. Final Oscar ballots are due on Tuesday, March 2. For this controversy to happen so close to the deadline, in what was already considered a close race, it could wind up being devastating for "The Hurt Locker." "The Hurt Locker" has one thing working it its favor: as The Wrap blog points out, there won't be any official ruling on the matter until after voting closes on Tuesday.

SOURCE

Former Idol Contestant Arrested for Identity Theft



Get a whiff of this.

Something rotten went down in Beverly Hills last night when former American Idol finalist Chikezie Eze was busted at Neiman Marcus for allegedly using a fake credit card to buy some cologne.

According to police, the popular Idol wannabe was collared by security after attempting to purchase two bottles of men's fragrance using a flagged credit card. No word what brand he was buying. (50 Cent's Power scent perhaps?)

In any case, Beverly Hills cops came and booked him for felony identity theft. Chikezie posted $50,000 bail and the matter is under further investigation.

The 24-year-old former airport screener, who placed 10th on the seventh season of Idol, later told reporters the whole thing was a mistake and he wasn't using a stolen card.

We'll see if he changes his tune before his next court date, scheduled for Monday.

SOURCE

A Lost Locke/Ben Spin-Off?


How fun was it seeing Locke and Ben working side by side as high school teachers in Lost’s flash-sideways world. Well, imagine that as a spin-off series.

Though the show’s executive producers, Damon Lindelof and Carlton Cuse, insist they are opposed to any continuation of the series past May’s finale, that hasn’t stopped one Lostie from penning his own spin-off of sorts. Terry O’Quinn, who plays Locke/Smoke Monster, tells me he is shopping around a bible for a TNT-type show that would pair him back up with his real-life chum and on-screen foe, Michael Emerson (Ben) - as suburban hit men juggling family issues. Though Terry asked me not to spill show specifics, he has spoken with Lost creator J.J. Abrams about the project and says, “I really hope this works out because Michael would be in his prime in this. We’d play kind of awkward partners.”

“It’s very sweet of him,” says Michael. “I’m all in favor of it. Any reason to work with Terry again.”

source

Matt Stone & Trey Parker Are Not Your Political Allies



"We're not on anybody's fucking side and we're not atheists."



News broke this week that a Blackwater subsidiary was arming violent drug users in Afghanistan. They took hundreds of weapons intended for the Afghan National Police and at least one of them (probably more) signed for the shipments with the name "Eric Cartman."

When I asked "South Parks"'s creators what they thought of these men co-opting their character they were completely unfazed. "It makes perfect sense. It's the name I would use," Trey Parker said. "Our first reaction to any story is 'How do we put this into the show?' and the second reaction is 'Did Cartman do that?' because he's so real to us it's like 'I bet Cartman did that.'"

"I saw that and thought, 'Wow, Cartman did that? That's pretty cool. Sounds like something he would do,'" Matt Stone agreed.

Eric Cartman, the trash-talking, anti-Semitic, youngster who is one of the four main characters of their show, is the "shitty part" of Matt and Trey according to them. "There's a big part of me that's Eric Cartman. He's both of our dark sides, [he says] the things we'd never say," Parker told me.

It's hard to believe there's anything these men don't say. They've taken on everything from abortion to molestation to cat orgies over the past 13 years and have not been delicate about it. They've only been censored once and that was during the Muhammad cartoon uproar last year, when they tried to insert a picture of the Islamic holy figure into their show.

"I think Comedy Central totally fucking pussed out. Now, they weren't any different than anyone else, so it's not like you can single them out. But I think it would've been an important statement for one media outlet in America to stand up. That was one of my most disappointing moments as an American--the American press's reaction to the Muhammad cartoons. It was completely wimpy," Matt Stone said. "Cartoonists, people who do satire--we're not in the army, we're never going to be fucking drafted and this is our time to stand up and do the right thing. And to watch the New York Times, Comedy Central, everybody just go 'No, we're not going to do it because basically we're afraid of getting bombed' sucked. I was so disappointed"

The irony of it all? The pair did a show that included an image of Muhammad years before and a clip of it (pictured below) runs during the show's opening in dozens of countries, in syndication, on Comedy Central.



They've also been attacked by every religious group possible, but never asked to back off before, even when they stabbed Jesus in the neck and made all Catholic priests pedophiles. They said despite all that the most vocal group about religion has been atheists. "We got calls from atheists friends a couple times saying, 'What the fuck, we thought you were on our side?' and we say, 'We're not on anybody's fucking side and we're not atheists.'"

When I asked them which group they've pissed off the most over the years, they both said "liberals." "Liberal people got mad at us for 'Team America' -- that's the most I've felt it. [The movie] came out right before the Bush/Kerry election and I think we fucked up. I don't think we should've timed it that way," Matt explained. "Because it came out right before the election, liberals were waiting for it as this big anti-Bush statement, and there's plenty of stuff in there that is anti-Bush, but we never would've spent three years of our lives making a movie just to make a statement two weeks before the election. Some people felt like it was a big betrayal."

Much has been written about the politics behind "South Park" and what ideologies these men subscribe to. In 2005 a book was even released called "South Park Conservatives," arguing that Matt and Trey embody the modern revolt against the liberal media and all it breeds. What do they think of that?

"It was just lame, that's exactly what we're talking about--people trying to claim the show," said Matt, who in 2005 announced "I hate conservatives, but I really fucking hate liberals." When I asked him about the quote, Trey responded, "It's all based on saying the shocking thing. We used to have a great time going to Hollywood parties and saying 'I think George Bush is doing a great job.' We'd clear out the room. I used to love it."

Both men were adamant that the show has no political affiliation. "I would never want the show to be a Democrat show or Republican show, because for us the show's more important than that. It isn't for everybody else in the world, but it is for us. We don't want you to come to it thinking, 'These guys are going to bash liberals,'" Matt explained.

"I look at it like this," Trey added. "I have a cat, I love my cat and it's like someone coming in and saying, 'Hey, is that cat a Republican or a Democrat?' He's my fucking cat, leave him alone."

At this point, I asked if Cartman's cat was based on his and Trey said that it was but that the cat had died. He then proceeded to show me pictures of his current cat, which I kind of think might be the first time a rich and famous man has ever done that during an interview. Ever. We then talked about cat orgies until Matt changed the conversation back to the political interpretation of the show, which was probably good for this interview as a whole, but disappointing on a personal level.

"We did a show last season called 'Whale Whores' about the 'Whale Wars' guys. Everyone is against whaling, we're not into killing whales, but if you watch ['Whale Wars'] it's horrible--super fucking boring--and if you watch that show for long enough you will hate the people in it. They say on the show, 'We will lie for our political ends.' They SAY that. So our whole show was basically, 'Fuck you, you guys are liars.' I don't fucking care if it's in service of saving whales, you're liars. But we got a thank you letter from them and an environmental award. There's NOTHING about the environment in that show...but it doesn't matter, everyone sees their own thing in it. So a lot of our shows where even we think we've taken a very deliberate stand, liberals say, 'That's awesome, you took on the conservatives' same show and conservatives say 'That's awesome, you took on liberals.'"

They have certainly mocked conservative groups and people on their show, but they tend to skewer liberals more often. Why? "Ripping on Republicans is not that fun for us only because everyone else does it," Matt explained. "It's so much more fun for us to rip on liberals only because nobody else does it, and not because we think liberals are worse than Republicans but, just because..."

"..it's like fresh snow. I mean how're you gonna rip on Sarah Palin in a new way?" Trey pointed out.

"I think sometimes we do gravitate towards things other people haven't done and a lot of times that makes us gravitate away from ripping on Republicans cause it's just done very well by a ton of people. It's hard to compete with Jon Stewart, etc -- those guys are brilliant."

More than political figures, the men tend to target celebrities. "There's something uniquely aggravating about the smugness of liberal Hollywood," Matt said. "You have to laugh at Alec Baldwin when he gets political. You have to. He is an amazing actor, he may even be a great guy, but that shit is funny. Sean Penn getting on TV on CNN and talking about politics, Sean Penn running around Katrina and Haiti that is funny. That's all. That's fucking funny. And we're going to make fun of you, Sean Penn."

"Giant douchebag with legs running around Haiti = funny," Trey added. I asked the men which celebrity had the craziest reaction out of any they mocked.

"Well the craziest was probably Kanye last year. We thought we would be more like 'Holy shit should I get a body guard? Should I get a gun?' and instead the next day he wrote in all caps 'YEAH YOU GUYS ARE RIGHT. I'M SORRY,'" Matt said in wonder.

"We were like 'Dude, what?' and for the first time it made us feel bad. If Sean Penn is like, 'Hey what do they think they're doing,'" Trey said in a voice halfway between Cartman and Penn, "We're just like, 'Hey dude, fuck you.' But for someone to actually say, 'Yeah it really hurt my feelings and I really should look at myself,' it's kind of like punching the kid and then he just sits there and cries."

In their upcoming season they're planning "a big Tiger Woods show, sort of a Tiger Woods show that isn't a Tiger Woods show." We have no idea what that means, but we look forward to it!


Source

Anna Paquin @ 12th Annual Costume Designers Guild Awards













SOURCE

Robots to blow things up in Chicago and Russia



Well, it looks like Red Square and the Sears Tower are the next global landmarks facing swift and explosive destruction at the hands of Michael Bay and his enormous robot troops, with the news that Transformers 3 is set to film in Moscow and Chicago.

The sequel, which is set for July 2011, starts shooting in May, with Megan Fox and Shia LaBeouf returning to play the hapless humans running away from rampaging robots (probably carrying a Macguffin) and Ehren Kruger writing the script (not joined this time by original screenwriters Roberto Orci and Alex Kurtzman). Bay has previously promised that this one will not go for more and bigger explosions, instead delving into the Transformers' mythos and becoming "darker". We'd still bet Grandma on there being a fair whack of destruction though, so remember that "fewer explosions" is relative.

So what do you want to see in the third film? 3D? Unicron? Dino-bots? Speak your brain below.

Source

Monday, February 22, 2010

The Song I Wish Taylor Swift Would Write ("Fifteen" Parody)



Hilarious Taylor Swift parody

Sunday, February 21, 2010

Gabourey Sidibe at the BAFTA Awards





Monday, February 15, 2010

The Hurt Locker wins big at Ace Eddie Awards


Best Editing, Drama: The Hurt Locker
Best Editing, Comedy: The Hangover
Best Editing, Documentary: The Cove
Best Editing, Animated Feature: Up
Best Editing, Miniseries: Grey Gardens
Best Editing, Drama Series: Dexter
Best Editing, Comedy Series: 30 Rock

Dakota Fanning and her mother out on V-Day





Sunday, February 14, 2010

Rihanna in Australia

Rihanna is in Sydney Australia right now after she finished her promotions in South Korea. She struck a few poses for the paps there.



Saturday, February 13, 2010

The Office - Two more promos with new footage!



Friday, February 12, 2010

We Are The World 25 for Haiti Official Music Video

Disney’s Rapunzel Retitled Tangled



Walt Disney Animation Studios’s 2010 computer animated release Rapunzel has been retitled Tangled. Producer Roy Conli explains:

“Hey everyone, I’m Roy Conli, producer of Disney’s next animated film. I have some exciting news to share, and it was important to me that YOU guys – the Disney fans – hear it first. I want to tell you about Walt Disney Animation Studio’s 2010 release, Tangled. It’s a really fresh, smart take on the Rapunzel story. In our film, the infamous bandit Flynn Rider meets his match in the girl with the 70 feet of magical golden hair. We’re having a lot of fun pairing Flynn, who’s seen it all, with Rapunzel, who’s been locked away in a tower for 18 years. I’m so proud of the crew working on this film – they’re doing a fantastic job creating an awesome story with great characters and a stunning world – and it’s all going to look amazing in 3D. All of us here at the studio are incredibly excited for you to see Tangled when it comes out in theaters this November.”


Directed by Byron Howard & Nathan Greno (the co-director and head of story on Bolt respectively), this new telling of the classic fairy tale, will transport audiences “to a stunning CG fantasy world complete with the iconic tower, an evil witch, a gallant hero and, of course, the mysterious girl with the long golden tresses. Expect adventure, heart, humor, and hair, lots of hair.” Our lead heroine is voiced by Mandy Moore while Chuck’s Zachary Levi will play a “dashing bandit” named Flynn Ryder who hits the road with the “rebellious, teenage hair apparent.” The voice cast is also rumored to include David Schwimmer, Matthew Gary Gubler, Kristin Chenoweth, Dan Fogler, and Grey DeLisle. is scheduled to hit theaters in Christmas 2010.

Previous director Glen Keane developed a new look for this computer animated film, which is said to look and feel more like a traditional hand-drawn Disney Classic, but in 3D. Apparently the film uses a non-photorealistic rendering technique which will make the surface look like it is painted but still containing depth and dimensions. The movie’s visual style is being based on French Rococo artist Jean-Honore Fragonard’s painting “The Swing”. You can definitely see the look they’re going for in the image above.

There are a couple more very small concept drawings over on the Animations message board, but you really can’t see much of anything. A short clip of test footage was shown at Siggraph 2005, where is gained a lot of attention. Earlier concept images had been previously posted online from when the project was titled Rapunzel Unbraided. But the project has since been completely revamped.

Tangled is scheduled to hit theaters in November 24th 2010.

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3 Howl Clips





Leona Lewis "I Got You" Video Premiere

TV Ratings Thursday





CBS easily won Thursday with overall viewers and adults 18-49 with the two hour premiere of Survivor: Heroes vs. Villains and an hour of The Mentalist.

ABC was second on a night where Grey’s Anatomy saw its lowest adults 18-49 ratings ever for an original episode.

Survivor: Heroes vs. Villains premiered to a 4.5/12 rating/share with adults 18-49 between 8p-10pm, and 14.17 million viewers up around 2% versus the premiere of Survivor: Tocatins on February 12, 2009. At 9pm it bested Grey’s Anatomy with a 4.5 adults 18-49 rating versus Grey’s 4.3. For the 9pm hour Survivor had 14.11 million average viewers to Grey’s 12.67 million.

ABC and NBC tied for first with adults 18-34, somewhat of an impressive feat for NBC since it ran with an hour of Office repeats at 10pm. Earlier in the night Community and Parks & Recreation were on par with last week’s preliminary numbers with a 2.3 adults 18-49 rating.

To nobody’s surprise, including FOX’s, a new episode of Past Life at 9pm underperformed a rerun of Bones at 8pm. And to nobody’s surprise including ABC’s, The Deep End is still DOA at 8pm.

At 10pm The Mentalist easily beat Private Practice with Adults 18-49 and and total viewers, though Private Practice crushed The Mentalist with adults 18-34 (2.9 vs. 2.0) and destroyed it with women 18-34 (4.3 vs. 2.4).

CW’s Vampire Diaries was down a bit and saw lows with adults 18-49 and even with Women 18-34 it was on the low side (perhaps a series low with a 2.4 W18-34 rating).


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Channing Tatum on Chelsea Latley

John Mayer: Scared Tweetless?


The now-infamous Playboy interview may have put John Mayer in hot water – but it has frozen his thumbs.

A tearful Mayer told an audience Wednesday night that he's "done" with the "media game," and so far he's made good on that promise – at least on Twitter. Mayer's last Tweet came Wednesday at 2:26 p.m.: "I just wanted to play the guitar for people. Everything else just sort of popped up and I improvised, and kept doubling down on it..."

Since then, only silence on his usually hyperactive Twitter page.

This isn't the first time Mayer has tried to trim down his tech addiction. In December 2009, he posted on his blog, about undergoing a one-week "digital cleanse."

His final Tweet came after a stream of others in which Mayer tried to explain his Playboy controversial remarks, which included racial comments and a description of former girlfriend Jessica Simpson as sexual napalm.

Over the course of an hour, Mayer's last few Tweets included: "They don't make rehab centers for being an a-hole"; "some mistakes are hard to pinpoint because they happen slowly and over long periods of time..."; and "And while I'm using today for looking at myself under harsh light, I think it's time to stop trying to be so raw in interviews...".

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'Basterds' comes roaring into final stretch



Don't tell Harvey Weinstein it's a two-horse race and his movie isn't one of those ponies.

"We're going to win best picture. This is the movie people love and it's Quentin's time. We are going for it and we are gonna get it," Weinstein told me Tuesday night at carmaker Audi's celebration of the eight Oscar nominations for 'Inglourious Basterds." "Look, best director may be a question -- and you can quote me on that -- but we won the SAG award for best ensemble, actors are the biggest branch in the academy and they love the movie." Perhaps he's using "Crash" as an inspiration, which in 2004 was able to stop the tide of precursor awards for "Brokeback Mountain" by upsetting at SAG.


Weinstein told me he thinks the preferential balloting for best picture (discussed in detail in Tuesday's 'Notes') is a good thing and will benefit 'Basterds' in a big way. That's why he's confident he can pull this out and doesn't believe pundit talk that the race has boiled down to just "Avatar" vs. "The Hurt Locker." He initially thought at this point Rob Marshall's musical "Nine" would be his ace in the hole but that film's best-picture dreams died with bad box office and some bad reviews. Although late-summer release "Basterds" was, with $300 million worldwide (Universal has international rights), a huge, much needed hit for Weinstein Co., major Oscar hopes were not part of the initial plan. As things evolved a campaign was hatched and the movie continues to march through awards season with high hopes of the ultimate upset on March 7, despite losses at the PGA, DGA and Golden Globes.

Now Weinstein, despite his own company's reputed cash flow problems and layoffs, says it is going all out with billboards, trade and newspaper ads, TV spots and everything else that can make a difference in the 20 days Oscar voters have to turn in their ballots, which are being mailed Wednesday.

Right after nominations were announced Feb. 2, the company wasted no time, especially in answering nagging questions about some mixed Jewish reaction to Tarantino's revenge story against the Nazis in World War II Germany. In fact, word got to the Weinstein group that a rep for a rival campaign was quietly trying to poison the well and suggest that "Basterds" was actually anti-Semitic, an accusation that has also been floated previously at two other best-picture contenders, "An Education" and "A Serious Man." Rather than letting any bad buzz take hold, the company took out a full-page ad in Thursday's Calendar section of The Times announcing a special screening of the movie that night at the Museum of Tolerance and thanking Rabbi Marvin Heir and Rabbi Abraham Cooper for their continued support of the film. The screening drew many elderly holocaust survivors and/or family members.

Producer Lawrence Bender talked about a screening cast member Daniel Bruhl was at a few months ago in a bad part of Berlin where a group of neo-Nazi skinheads tried to disrupt the movie but were successfully shouted down in unison by the rest of the German audience.

Controversy (or non-controversy) aside, 'Basterds' has seemingly been everywhere since the nominations. WME head Ari Emanuel threw a starry dinner at Mr. Chows Friday night, the American Cinematheque offered up a sold-out two-day Quentin Tarantino retrospective that included a late-night Q&A with the director on Monday, big lunches with Tarantino and company are planned for this week in L.A. and New York and Tuesday night, Audi (which supplied cars for use during production) bankrolled the Hollywood party at La Vida that between the Weinstein and Audi guest lists was so packed that at one time the fire marshal became a part of the conversation.

Among those spotted in the large restaurant's various rooms were academy members Robert Duvall, Valerie Perrine, Cher, Maggie Gyllenhaal, Anne Hathaway, Dyan Cannon, Dermot Mulroney, Mary McDonnell, Elliot Gould, Robert Forster, Michael Keaton, Richard Chamberlain, Danny Huston, Erik Estrada, Sally Kellerman, Brenda Vaccaro, Frances Fisher,Candy Clark, Jeremy Piven, Melanie Griffith, Rosario Dawson, Heather Graham, directors Rod Lurie and Robert Rodriguez and many others including 95-year-old Norman Lloyd who also hosted a lunch with Roger Corman for Tarantino at Musso and Franks in Hollywood. Sophia Loren's son Eduardo was there and told Bender he has ties to two Oscar voters including his mother, although he said the maid usually fills out her ballot (not sure if he was kidding about this).

Mickey Rooney, 89, easily the oldest Oscar recipient in the room, told me he hasn't seen "Basterds."

"Oh we don't see pictures anymore, we just watch Turner Classic Movies," he said, but he is a voter and wife Jan says the ballot will get filled out. Rooney eventually made a beeline to the crush (and it was a crush) to meet Tarantino, who he said he really likes. After Rooney left I told Tarantino that he has the single longest-running career of any actor in the history of movies to which film maven Quentin added, "yes and he was Cary Grant and Laurence Olivier's favorite actor." You can't catch Tarantino on anything related to movies and in fact on Sunday he was also at the Santa Barbara Film Festival conducting an on-stage interview with 93-year-old Kirk Douglas about "Posse," one of his favorite westerns.

In the scheme of things "Basterds" is still regarded as a longshot to take it all, but Oscar maestro Harvey Weinstein is clearly fired up and later when he caught my eye one more time he said it again.

"We're gonna win this thing."



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Wednesday, February 10, 2010

Looks like Swift could really use another sympathy-grabbing interruption. Paging Kanye West!



Poor Taylor Swift. Turns out everyone liked her a lot better when she was an underdog struggling to get a word in. Now that the teen singer -- whose MTV VMA speech was famously, rudely, interrupted by Kanye West back in September -- has our undivided attention, she's facing a growing backlash that's getting stronger and snarkier by the minute.

The tide began turning for the statuesque country upstart after a less-than-dazzling (most frequently described as "pitchy") performance with Stevie Nicks at this year's Grammys -- where she won four awards including album of the year. Following the debacle, her label head -- and Naomi Judd -- came to her defense, which only rankled the masses including Kelly Clarkson.

Now, with Friday's release of "Valentine's Day," which nearly sags under the weight of so many Hollywood heavy-hitters, everyone's about to get a glimpse of her acting chops, which seemed more than passable when she hosted SNL in November. But early reports about the movie have been unkind, to put it mildly.


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Lady Gaga on the red carpet at The amfAR New York Gala 2010













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